The Art of the Phrase
- Introduction
- Phrase Lengths and Roman Numerals (Part 1)
- Clementi Sonatina in C Major, Op. 36 No. 3
I. Spiritoso
- Phrase Lengths (Part 2)
- The Piano “Opera”
- Mozart Sonata in G Major, K. 283
I. Allegro
- Phrase Lengths (Part 3)
- Artur Schnabel
- Beethoven Sonata in C# minor, Op. 27 No. 2 (“Moonlight”)
I. Adagio sostenuto
- The Classic Phrase Pattern
- Chopin Mazurka in F major, Op. 68 No.3
- Beethoven Sonata in G Major, Op. 79
II. Andante
- Brahms Intermezzo in A Major, Op.118 #2
- Granados Valse Poeticos No. 1
- Agogic Accent and Melodic Shaping (Part 1)
- Schumann “Three Stars” in F Major, Op.68 No. 30
- Agogic Accent and Melodic Shaping (Part 2)
- Chiaroscuro – lightness and shade
- Schubert Allegretto in C minor
- Agogic Accent and Melodic Shaping (Part 3)
- The Classic Phrase Structure
- Beethoven Sonata in C Minor, Op. 13,
II. Adagio cantabile
- Choreography and the Phrase
- Scarlatti Sonata in E Major, K. 380
- Chopin Concerto in E minor, Op. 11
I. Allegro maestoso (second theme)
- Phrasing and Compositional Style (Part 1)
- Gershwin Second Prelude
- Bolcom Graceful Ghost Rag
- Debussy Prelude The girl with the flaxen hair
- Albeniz Evocation
- Phrasing and Compositional Style (Part 2)
- Phrase Structure in Rachmaninoff
- Rachmaninoff and the Smorzando Effect
- Rachmaninoff Prelude in B minor, Op. 32 No. 10
- Conclusion
