The Essence of Chopin
- Introduction
- Unique Language of Musical Expression
- The Marcato Accent
- Zal
- Mazurka in A minor, Op.68 No.2
- Mazurka in A minor, Op.67 No.4
- Waltz in A minor, Op. Posth.
- Waltz in C# minor, Op.64 No.2
- Rubato
- The Heroic Aspect of Zal
- Tone Quality and Dynamics
- Mazurka in F# minor, Op.6 No.1
- Essential Expressive Language of Chopin
- Chopin’s Use of Italian Terms
- Mazurka in F# minor, Op. 6 No.1
- Mazurka in C# minor, Op. 6 No.2
- Mazurka in F minor, Op. 7 No.3
- Mazurka in A minor, Op. 17 No.4
- Prelude in Db Major, Op. 28 No.15
- Bel Canto Pianism
- Concerto in E Minor, Op. 11
- Sfogato
- Barcarolle
- “Chopin” from Schumann’s Carnaval, Op.9
- Bel Canto Pianism & The Nocturnes
- Bel Canto Rubato
- The Left Hand Patterns
- Nocturne in E minor, Op. 72 No.1
- Nocturne in Bb minor, Op. 9 No.1
- Nocturne in C minor, Op. 48 No.1
- The Secrets of Chopin’s Bel Canto Style
- Sostenuto
- Nocturne in F# minor, Op. 48 #2
- Nocturne in G minor, Op. 37 No. 1
- Nocturne in Db Major, Op. 27 No. 2
- Ballade in G minor, Op. 23
- Scherzo in Bb minor, Op. 31
- Hybrids and the Compositional Idea
- Nocturne in F minor, Op. 55 No. 1
- Hybrids and the Compositional Idea
- Nocturne in C# minor, Op. 27, No. 1
- The Principles of Chopin's Pianism
- Opening the Hand
- Suppleness
- Choreography of the Arm
- Thematic Transformation in Op. 66
- Fantasie-Impromptu in C# minor, Op. 66
- The Psychology of Chopin Performance
- Prelude in Db Major, Op. 28 No. 15 (with narration)
- Raindrop Prelude
- Prelude in Db Major, Op. 28 No. 15 (performance)